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Showing posts with label media. Show all posts
Showing posts with label media. Show all posts

02 November 2014

"What If My Problem Wasn't That I Don't Understand People but That I Don't Like Them?"

Suzanne Stone has nothing on Lou Bloom. "Good things come to those who work their asses off," Bloom (Jake Gyllenhaal) says in Dan Gilroy's directorial debut, Nightcrawler — a thriller that mashes up To Die For and The Fast and the Furious, with a hefty dose of American Psycho. Indeed, you can't help but admire Lou's industry and persistence, even if there isn't much else to like about him. As the film opens, Lou is a small-time thief seeking work. He's even willing to do an unpaid internship, but for some reason — mainly because he is seriously creepy and unscrupulous — no one wants to hire him, even though he has done a lot of online research into how to have a successful career. By chance, he happens upon a crime scene and spots a stringer filming the footage and selling it to a local TV network.

He buys himself a camcorder and a police scanner and his business is born. At the first late-night crime scene he visits, he manages to make a complete fool of himself and miss most of the good shots, but when he rocks up at the lowest-rated Los Angeles TV station with the footage, he manages to impress the night shift's news director, Nina (Rene Russo), who thinks he has a good eye. She gives him some tips and hands him a cheque for $250, and then Lou goes home to watch his clip airing on the morning news.

Pleased with his success and having read online about the importance of growth, he sets about hiring an intern: Rick (Riz Ahmed) has no job, no home and no experience but Lou offers to pay him $30 a night for his help and the two of them capture some impressive scoops, much to the consternation of some of the more experienced nightcrawlers. And although Lou continues to impress Nina, some of her colleagues at the TV station, such as Frank (played by Mad Men's Kevin Rahm), who doesn't like Lou and questions his integrity and ethics. "Your job is to do the Tweet of the day and tell Deb to turn sideways in the weather forecast," Nina tells Frank dismissively.

As the film progresses, Lou becomes increasingly successful and is able to upgrade his camera kit and buy a flashy red sports car, which allows him to get to the crime scenes even more quickly. But the success goes to Lou's head and he seems to shift from creepy, unsettling and socially awkward to self-obsessed and sociopathic, as his desire to capture and sell footage soon overrides any instinct to help the victims at the crime scenes he visits. It isn't even as though he has a strong journalistic desire to get the story, either; he just wants the money and the glory.

Nightcrawler is a dark film, for sure, but it's also quite funny in places — there is plenty of incredulous laughter at some of the things Lou says and the way he behaves. The character reminded me a little of  Patrick Bateman from American Psycho in some ways — they both do things because they want to fit it, but see other people as a means to achieve what they want and view other people with a cold, clinical detachment. Vile as Lou is, though, we almost want him to get away with it, and this is mainly down to Gyllenhaal's brilliant performance. The chemistry between Gyllenhaal and both Russo and Ahmed is also interesting here. In theory, Russo's Nina should be the one in a position of power and yet Lou's scary ability to manipulate and persuade puts her on the back foot. Rick, meanwhile, stands no chance but he seems to genuinely believe his boss when he says he wants to help Rick develop his career and learn.

Clocking in at just under two hours, Nightcrawler is well-paced and suspenseful, with narrative twists as sudden as the U-turns Lou pulls on the darkened hills above Los Angeles; LA itself — or, at least, its dark, seedy underbelly — also has a prominent role in the film. None of the characters is very likeable, but Gilroy pulls together a compelling, if often ghoulish, story of ambition, persistence and vanity gone horribly wrong.

04 July 2013

"It's the Lifestyle Everybody Kind of Wants"

A number of the films I've seen this year so far have focused on the idea of the tarnished American Dream, from The Great Gatsby to The Reluctant Fundamentalist and The Internship, and even, to some extent, Behind the Candelabra. Enter Sofia Coppola's new film, The Bling Ring, which tells the scarily true tale of a group of celebrity-obsessed California teens who, convinced that "reality TV star" and "it girl" are careers to which they should aim for (and, crucially, that they deserve), armed with the powers of Google, TMZ and Perez Hilton, carry out a series of robberies at the homes of the celebrities they adore while their idols are out partying or filming. The movie is based on Nancy Jo Sales' Vanity Fair article, 'The Suspects Wore Louboutins' about a real group of teens, who carried out such robberies and who became known as the titular Bling Ring. And it's the "true story" aspect that is so scary.

As the movie opens, the remorseless Nicki (a very good Emma Watson), post-prison-time is giving an interview about her experiences. Completely without irony, she tells us how it's her journey to push for peace and for the health of the planet. "I might want to lead a country for all I know," she says, entirely sincerely, when asked about her future plans. Nicki is being home-schooled with her sister Emily (Georgia Rock) and adoptive sister Sam (Taissa Farmiga), by their mother (Leslie Mann). I should really say home-"schooled" because most of the "lessons" consist of Adderall dispensing and mood boards based on the lessons to be learned from Angelina Jolie.

Meanwhile, Nicki's friend Rebecca (Katie Chang) has a compulsive stealing problem — her favourite hobby is opening unlocked cars at parties and taking people's wallets, handbags or drugs. When Rebecca meets lonely new boy Marc (Israel Broussard), who can spot a fake Chanel handbag at ten paces and who knows his way around the interwebs, they realise how easy it is to find out celebrities' addresses and then, using Twitter, and TMZ and other gossip sites, establish when they will be out of town. I suspect the addresses may not be the top search engine hit, as shown in the film, but apparently even A-list celebrities do sometimes leave at least one door unlocked when they go out, and leave a spare key under the doormat. Rebecca will casually pocket a paperweight and walk out with the Birkin...and the convertibel. Nothing is sacred, from paintings to pills and Porsches, although they do draw the line at Paris's dog. They all refer to the celebs by their first names, use the phrase "I know, right?" every other sentence, and use enough vocal fry to, well, fry bacon.

Marc and the girls love their new lifestyle, but they aren't particularly careful about who they tell that they hung out at Paris Hilton's house, and, of course, they constantly upload photos of their spoils onto Facebook. They get to be their own paparazzi. When Chloe (Claire Julien) gets a DUI for crashing her car, drunk, into another car, she is so proud that she is just like Lindsay! "I was, like, so drunk they said I shouldn't even be alive let alone driving," she humble-brags.

Rebecca is portrayed as the ring-leader, but she doesn't exactly have to twist the others' arms. "I wanna rob!" Nicki enthuses as they prepare to visit another celebrity's house. Cut to Nicki talking later to the police, **SPOILER ALERT** after they've all been arrested: "I didn't know what they [her friends] were doing." None of them shows any remorse for what they've done — they think they are entitled to all the expensive things and to the celebrity lifestyle — but it's Nicki who is the scariest character in many ways. She genuinely believes that she has been put on this Earth to be a leader. When she finds out she has made it onto TMZ, she is over the moon, and the real people on whom the movie characters are based will certainly love the film, even though they come off horribly, because they are being talked about and noticed, and there is no such thing as bad publicity, right? Right?

There are some moments of humanity too. Despite thinking they are wise beyond their years, the characters often reveal how young and naïve they truly are. "If I tell you where everything is, will you let me go?" Rebecca asks hopefully. And Nicki is dragged kicking and weeping into the police car, calling desperately for her mother. "But it's the lifestyle everybody kind of wants," Marc says. "America has a sick fascination with a Bonnie and Clyde thing." The film does feel Haneke-esque at time: to what extent is society to blame for this behaviour and to what extent do we, the viewers, contribute by watching the film and therefore add to real Bling Ring's belief that they are worthy of our attention and our interest. 

I haven't seen This Is the End, which also features Emma Watson (playing herself), but it seems like a good companion piece to The Bling Ring. Both ponder the following question: "whither our celebrity-, image- and brand-obsessed society. The Bling Ring doesn't offer a comprehensive answer, but it makes for very compelling viewing. Oh, and it's only 90 minutes long — at which point, I was dying to get back on Facebook and TMZ. "I know, right?"

01 October 2012

Time Out London Is Dead, Long Live Time Out London

When you buy a Groupon deal, even if you feel like you're getting a great bargain, somehow the house always seems to win. About 18 months ago I bought a deal for a one-year subscription to Time Out's London edition, which, at £35, seemed like a reasonable enough price for me--a sporadic reader, at best--to hit the button. When my year was up, I was going to cancel the subscription but they let me renew at the same rate, and I decided that I got more than £35 of value from the magazine, even though most if not all of their content is available online. 

I liked having it all in a magazine format, which I could peruse on a Wednesday evening. I also liked the feeling of being a Time Out subscriber. It was like a badge of pride: I care about my city and enjoy finding out about all of the weird and wonderful things going on in London. I liked the features and read all of the film, shopping, food and drink, and around town sections each week, and leafed through the others. I wasn't one of those people who protested when they tried to axe the TV section earlier in the year, although maybe I should have seen it as a warning.

n00b (L) and old skool (R) versions of Time Out

When I read in the Guardian a couple of months ago that Time Out London would be going free, the first thing I did was call the latter to find out what this meant for subscribers. They weren't expecting the news to leak so soon and couldn't tell me anything helpful (I work in a busy press office, so I can sympathise). A couple of weeks ago, I found out their best offer: I can either continue to receive the (now free) magazine in the post until the end of my subscription in April, plus three bonus months, or I can have the rest of my money back. I object to paying for a magazine I can pick up for free from the bus stops near my home and my office, but equally, my refund would only amount to £15, so I'll probably stay subscribed and then cancel at the end of my subscription.

Size matters...

As for the new magazine, I did think it was clever to make the first issue about all the free things you can do in London; they also had a load of competitions to win their favourite free stuff. The magazine itself is both bigger and thinner and the paper quality isn't as good. There are a lot more adverts, although most of them are for gigs, plays, and other events that might previously have appeared in the much-culled listings sections. The content in the new issue doesn't bug me too much: my favourite sections are still there, albeit in a somewhat abbreviated form, and although the articles are less meaty, I actually quite like lists and bullet points. In fact, the new and, well, different Time Out feels a lot like a more gender-neutral version of Shortlist, the free lad mag distributed in London on Thursday mornings.

Don't get me wrong, I'll still enjoy reading Time Out Lite, but it's definitely a shadow of its former self. And that is a crying shame.

10 December 2011

Bex's Christmas Gift Guide: Bonus Totes Amaze Edition

I had only planned to do three Christmas gift guides this year but since I posted the last guide, I've spotted a couple of cool tote bags. I included one in my gift guide for girls but I also culled a couple of others from my original longlists, so I thought I'd do a special round-up of my favourite tote bags. These make great gifts: they're stylish, light, eco-friendly, easy to wrap/mail, and you can even put several smaller Christmas gifts inside them--definitely much cooler than a stocking!

Bags for readers and writers
1.  Kate Spade New York for Strand canvas tote. $12.95. Stand Books in New York are famous for their tote bags, which are ubiquitous in Manhattan and beyond but Kate Spade's collaboration with Strand is a much more colourful, girly version. It's also a nice way to give someone a Kate Spade bag without breaking the bank.

2. Daunt Books totes. £1.50 and £8. When I first moved to Marylebone, I realised I had to buy a new it bag. Fortunately, the Daunt totes, which I've spotted in Cannes, New York, and beyond, as well as well as in the quartier, are a bargain at only £1.50 for the smaller, natural cotton version and £8 for the larger, sturdier, green version (which also has an interior pocket for your phone or keys). If you buy enough books, you may also get one of the bags thrown in free. Either way, I use my green tote almost every time I do a big shop and it's showing no signs of wear and tear. Edit: I spotted someone on Marylebone High Street today with a dark fuchsia version of the large tote, which looked totes amaze, as they say in Chelsea, apparently.

3. Vintage typewriter tote from TheBoldBanana via Etsy. $10. Perfect for a writer--or would-be writer.

Stylish sacs
4. Grey alphabet tote from Oliver Bonas. £12.50. These totes have a bright yellow zipper, which looks gorgeous with the light grey fabric of the bag (very Philippe Starck) and provides extra security for your belongings.

5. 'My other bag is made of solid gold' tote from Rob Ryan. £22.95. This double-sided tote has the same anti-bling slogan and star on both sides, blue on one side and pink on the other. Blue and pink are my favourite colours, so this would go with all my outfits! Ryan's contrary 'I love what you hate' design is also nice.

6. Liberty print tote. £20. These bags are a relatively inexpensive way of buying a Liberty print accessory. I really like the subtle band of print at the top of the bag and in the lining. Another version of this tote has the print on the straps and side panels (£15).

Totes for foodies and oenophiles 
7. Bordeaux wine tote from Maptote. $13. These totes are the perfect size for slipping in a nice smooth red and would be a great way of making a bottled gift more interesting. Maptote also has different designs for other regions.

8. Pun-tastic tote from Puncontrollable via Etsy. $17. Puncontrollable's totes have minimalist designs and cute captions; 'whisky business' and 'you Chinook me all night long' word work well for a gourmand.

Miscellaneous
9. Modern Toss tote from Magma Books. £5.95. This bag, which displays the command, "Buy more shit or we're all f*cked," may well have been commissioned by George Osborne.

10. Totes for geeks from Our Shop. £9 and £12. This tote with red or blue grid lines would make a nice present for anyone who has a bit of a graph paper obsession. This 'geek' tote makes a more obvious statement.

28 November 2011

History Does Not Repeat Itself; the Historians Repeat One Another

This afternoon, I found myself scanning Thursday's newspapers in search of stories about the research I've helped to promote, as I do most Mondays. We only get the broadsheets delivered and it's always interesting to see which stories some papers avoid and which ones are, in Private Eye's words, exclusive to all newspapers. By the time I've finished, I usually feel like I would have done really well on the BBC News's 7 Days quiz if only I'd read them earlier.

This is a long-winded way of justifying why I was reading Thursday's Daily Torygraph and why I found a short piece by Alison Weir, who is pimping her new book about Mary Boleyn (a review of the book will follow as soon as I've read it; it's still on my shelf at the moment). The story is hooked to the announcement that Hilary Mantel's sequel to Wolf Hall will be published next year, but Weir quickly gets on with dissing the rather cavalier approach to the truth and historical accuracy taken by the film of The Other Boleyn Girl and the now, fortunately, defunct TV show, The Tudors. She then asks:
What is it about the Tudors that we find so compelling? Easy to answer: they were the most charismatic and dynamic of monarchs, who ruled over an age of great change. A king with six wives, two of whom he beheaded? A young woman (Lady Jane Grey) executed after nine days on the throne? The first women to rule? You couldn’t make it up.
Not that that stopped the likes of The Tudors sexing it up to the max. I did used to enjoy The Tudors during the first season. I tried not to think about the inaccuracies and the campness of it all, but it was good fun and at least if people are watching this show, they might learn a tiny bit of history, which you can't say for the "structured reality" crap that seems to dominate most TV schedules. < /rant > The trouble with a Tudors TV programme is that when characters are popular, you can't exactly write the script to allow them to live on for another season; after the death of Anne Boleyn, The Tudors was hanging by a thin thread.

In her biography of Anne's older sister Mary, Weir, it seems, is on a mission to debunk some of the myths perpetuated by The Other Boleyn Girl, which will be interesting given how little information there is available about Mary. Weir writes biographies and historical fiction and I've enjoyed both genres, so I'm looking forward to her treatment of the elusive Mary Boleyn.

17 November 2011

Now Now

I've been out every night this week and I'm a bit behind on blog posts but I just got back from a recording of The Now Show and I wanted to write down my thoughts while they are fresh. It was a fun evening but clearly, I should have read my own advice from the last time I went because we made some of the same old n00b mistakes.

Poor photo of Hugh Dennis and Steve Punt

We got there earlier than I did last time--6.45 (when the front doors open) rather than 7.15 (15 minutes before the studio doors open)--but there was a big queue outside Broadcasting House, with about 200 people ahead of us. Random security checking of Balham Babe's bag delayed us and meant we were the first people to enter the second holding room, rather than the last people to enter the first room. As all of the first room people got to go in first and there isn't a queuing system inside the rooms, this didn't work out too well for us, and we ended up in the second row on the balcony with two tall guys in front of us. We also missed out on getting to fill in an answer to the audience question: the woman in charge of our room asked why no one was giving her the answers and we explained we hadn't been given the sheets but apparently they had run out. The funniest answer (which probably won't get included in the show when it airs) was a hilarious example of someone missing the point of the question--or maybe just wanting us to think that...

That aside, it was a good show, with a couple of good songs, a reference to research I publicised, and plenty of naughtiness, although as ever, I found Henning Wehn's segment a little boring. One part, which described a wonderful new variety of a class A drug in the style of a Christmas advert for a popular, middle-class retailer, involved Pippa Evans reading out a number of long, jargony, science words, such as mesolimbic and "exogenous catecholamine transporter ligand" (straight from Wiki, I see). During the "retakes" at the end, Steve Punt made the mistake of asking if there were any chemists in the audience and of course there were, one of whom took the joke far too far by loudly correcting Evans's pronunciations four or five times, until the chemist was persuaded to pipe down. I know it's the Year of Chemistry, but still...

And yes, next time I really will try to arrive a bit earlier so that I can finally get to provide a supremely witty answer to the audience question of the week.

30 July 2011

Eastern Promises

I count the number of times I've ventured east of EC1 on one hand, and some of those don't really count because I was driving through. It's nothing personal; I'm just more of a west London girl, born and bred.

I'm always up for a craft market, though, and so when I saw an ad in this week's Time Out for the Designers/Makers Market in Hackney, I thought it would be the perfect opportunity for me to acquaint myself with a new quartier. So, I took the 30 bus, which usually deposits me at King's Cross when I go to work, all the way through Islington, Highbury and Dalston to Hackney Central and wandered down towards the market. It felt like a bit of an Apprentice pilgrimage as I walked past the Hackney Empire (which featured in this episode) and the Hackney Town Hall (which featured in this episode).

Violet's mini-cupcakes
It was perhaps rather unusual that large numbers of trendy, affluent, 20- and 30-something females were wandering around the area where the market was supposed to be, looking slightly confused. When I went inside the studio that hosts the market to ask what was going on, the receptionist said it was cancelled for the next few weeks. They were looking for a new venue as not many people were showing up. Great timing there--calling off the market the week it gets featured in Time Out. That's one way of guaranteeing people won't bother trying to find it in future.

Climpson & Sons
Luckily, I'd already prepared a walking tour for myself and so I didn't feel too annoyed about the long bus journey. First, I went to Broadway Market, which I'd been meaning to visit for a while. I had a macchiato from Climpson & Sons' stall, which was great; I'd like to visit their shop, at the other end of the market, too. Also on offer were: lots of cakes (I opted for a mini salted caramel cupcake from Violet), flowers, breads, clothes and accessories and, of course, jellied eels. There was also a great independent book shop, The Broadway Bookshop, a branch of a Fitzrovia boutique I like called Black Truffle and a cool-looking bar called Off Broadway.

Regent's Canal at Broadway Market
I carried on down to the Regent's Canal (a new stretch, for me, of a very familiar canal), and walked just past the Kingsland Road bridge, where there was a really nice café called Towpath, which serves coffee, drinks, ice cream and light, simple, but tasty-looking food and you can sit at little tables right on the towpath. A very nice place to spend a sunny Saturday afternoon. I then continued down the Kingsland Road, along Shoreditch High Street and on to the Old Truman Brewery, to take a peek at a couple of sample sales, although I didn't purchase anything. I also discovered the original branches of Rosa's and of Nude Espresso.

Canal-side sunflowers
I normally like walking through the City at the weekend because it's almost eerily quiet but today, probably because of the sunshine and school holidays, it was pretty busy. Eventually, I reached the Fleet River Bakery for more caffeine and a brownie, which I enjoyed while sitting in the gardens of Lincoln's Inn Fields. And then it was only a few more miles back to NoMaRo (via Anthro, where I did cave and buy a t-shirt, although I also resisted buying a skirt and lots of yummy-smelling candles). The whole route was 9.5 miles, which explains why my legs are now a little achey.

But I enjoyed my visit to Oriental London and some of the canal-side apartments were even funky enough for me to add parts of the area to my list of "areas in which I would consider buying a flat, if I can ever buy a flat" --any area where there is a good independent bookshop, good coffee, cool bars, hipster shops and a nice water feature (well, the canal) definitely wins my approval.

18 June 2011

NYC: Looking East

Why does even a whole week in New York have to fly by so quickly, returning me to the rain of London before I've barely even had time to blog about it? Until this trip, the furthest south I've stayed in New York has been 24th Street and although I did once stay at the W on Lexington Avenue, my hotels and hostels have almost all been west of Broadway. This time, though, my hotel was on East Houston Street, right on the corner between Nolita, the Lower East Side and the East Village (possibly NoHo too), which meant I got to explore plenty of new areas within the city. Here are a few of my favourite new places that are east of Broadway, in approximate order of the time in the day I would visit:

1. Bluebird Coffee Shop (East Village). Bluebird has been on the to-visit list in my NYC Moleskine for quite a while but it always ended up being too far south and east. Happily, it was just across Houston Street from my hotel, this trip, and I made several visits. The espressos and macchiatos were very good and on a sunny morning when the huge windows are open, it is gorgeous to sip and caffeinate on the porch.

2. Think Coffee (NoHo). This is another coffee purveyor I've been meaning to try, having walked past the Mercer Street branch on many occasions. On this trip, I found that the branch on the corner of Bowery and Bleecker was the perfect place to stop for a bagel and a coffee on the way uptown or to the West Village. The coffee was great (and the triple- and even quad-shot coffees sound like heaven) and the bagels were pretty tasty too. Unlike many of the too-hip-to-have-more-than-three-seats coffee bars, there is also plenty of seating at Think.

3. Everyman Espresso (East Village). I wasn't quite sure I was cool enough to drink here and I'm fairly certain I was deducted points for asking for my macchiato to go (some of these coffee bars won't even let you order a macchiato or espresso to go; paper cups ruin the flavour, you see). It was, however, a good macchiato on a fairly quiet stretch of 13th Street. Close enough to Union Square to be very handy, however. I'll just remember to wear my fake tattoos next time.

4. Prune (East Village). Prune is open for lunch and dinner but everyone really goes for the weekend brunch. You can't book and you'll probably have to wait a good 45 minutes but on a sunny day -- and when Bluebird is just down the block -- who cares? As well as more standard brunch fare (pancakes -- or, rather, one large pancake -- with bacon and maple syrup), the menu also contains dishes as varied as spaghetti carbonara and sausages and oysters. Unusually, I didn't order the pancakes (I wanted regular and not Canadian bacon) but opted for the scrambled eggs with bacon, potato rosti and an English muffin, which was delicious and filling. The Prune juice, which actually contains OJ, grapefruit, lemon and lime, is a good alternative for those who can't quite stomach one of the vast number of different bloody marys.

5. Market NYC (Nolita). When it's time for a gentle wander to walk off brunch, Market NYC is a good first port-of-call. It's open from 11-7 pm at the weekend and hosts a huge number of different independent jewellery designers selling their wares in an old church building. It's definitely difficult to narrow down your choices if you only want to buy one or two items. I got a bargain from Delicate Raymond: this gold initial necklace is $48 online but was on sale at Market NYC for just $10. I also bought a lovely purple necklace from a seller whose business card I've lost, unfortunately, which was only $22. Later the same day, I saw a very similar necklace selling in a shop in Williamsburg for closer to $60.


6. Walking over the Williamsburg Bridge (Lower East Side). Another great way to walk off brunch. Not only is the walkway a pretty shade of pink (well, pale red), but you also end up in Williamsburg, funnily enough, which is a great place to spend a Sunday afternoon.

7. Pulino's Pizzeria (Nolita, I think!). This place serves great pizza and is a very fun place to eat or drink of an evening (particularly a warm evening when you can sit at one of the tables outside, if you're lucky), but they also have the whole all-day-dining concept covered thoroughly, with menus for breakfast, lunch, late lunch, dinner, supper, brunch and late lunch as well as cocktails, wine and puddings! We got there at about 9 pm on a Friday night and the place was heaving but we only had to wait about 20 minutes for a table just next to the gorgeous, back-lit bar. I was so full I couldn't manage a pudding but they looked good too. I'll definitely be returning. (I just discovered that Pulino's is a sister restaurant to places like Pastis, Balthazar and Minetta Tavern; I love those places too, so that makes a lot of sense.

8. Spitzer's Corner (Lower East Side). The LES is, of course, heaving on a Saturday night but we managed to get a table at this busy gastropub on Rivington Street (great for people watching). There is a big selection of beers but the wine list suited me fine. They do burgers and also plates of three sliders but my roast chicken was lovely.

9. Peels (East Village). Peels is something of a polymath: rated for its coffee and its cocktails (see #4 in this list), they're also open for breakfast, lunch and dinner, serving food with a southern spin. The cocktail bar upstairs feels like the conservatory in someone's plantation house just outside Charleston. My cocktail (the spiced colada mentioned in the Time Out review) wasn't to my taste (a little too creamy and not quite fruity enough) but that's my fault really and I could tell it was very well mixed. The friendly bar tender also gave us a free sample of a drink she was making for someone else, which was very good. Plus, you don't have to deal with the queues or attitude of certain other bars in the area.

10. The Back Room (Lower East Side). Going to the Back Room is a great experience. You enter through a little gate with a sign for the LES Toy Company (you can spot it because there will probably be at least one bouncer outside), then you go down the steps, along an alleyway and up some more steps into a fabulous speakeasy where cocktails are served from teacups and bottles of beer are brown bagged. I can't remember what I ordered but I think it involved gin and cucumber and tasted delicious. There's an even more secret back room, hidden somewhere at the back, but we didn't see anybody going in. Although they managed not to play any songs I really loved, the music selection was great and appeared to be sorted approximately in date order, such that we arrived at the start of the Mad Men era and left just before Sex and the City got going. More fun and less hassle than PDT.



On my list for my next visit to the East Side:
    1. Gentleman Farmer (Lower East Side). In Paris earlier this year, we were bemused by a French clothes retailer called Gentleman Farmer (tagline: "pour le Mellors dans ta vie" (well, it should be, anyway)), which seemed to follow a common French practice of naming your shop after two words selected at random from an English dictionary. Perhaps the owners of the tiny, 20-seater LES restaurant of the same name also spotted this shop on a trip to Paris and adopted the name in an ironic fashion. I hope so (and the fonts are pretty similar). The food seems mainly to consist of American takes on regional French cuisine.
    2. The Bourgeois Pig (East Village). This was highly recommended by PhDE and her husband but we didn't have time to go on this trip. It's a very cool wine bar that does a range of fondues (sweet and savoury) and sharing platters. They're technically not licensed for the hard stuff so the cocktails are all based around wine, champagne and beer.
    3. Madam Geneva (NoHo). Another secret speakeasy we didn't have time to visit. You enter through a secret door in the Double Crown restaurant and the cocktail list is pretty heavy on the gin (which suits me fine).

22 May 2011

Stress Shopping

I can add yet another item to the list of things that are dangerous for me to be doing/feeling while shopping: checking the BBC Sport website on my phone every five minutes to find out whether or not my consistently inconsistent football team have been relegated. Although dear ol' Wolves have been hovering in or near relegation for much of the season, they've actually been doing reasonably well. The trouble was that this has been a rather high-scoring season for the bottom of the table and depending on the results of today's matches, any two clubs from Blackburn, Wolves, Birmingham, Wigan and Blackpool could have joined West Ham in being relegated.

The nerve-wracking relegation saga really began last Sunday. We'd already won our match against Sunderland and so on Sunday afternoon, Maman and I were listening to the weekend's other matches on the radio on our terrasse. We wanted West Ham to beat Wigan, Birmingham to lose to Fulham and Blackburn to lose to Man U. Having gone 3-0 up on Wigan, West Ham proceeded to lose 4-3. Man United, having just been declared the most successful team of all time, in the known Universe (well, in England, anyway), couldn't manage to beat Blackburn. At least Fulham did what we wanted.

Today, though, was Premier League D-Day, according to the BBC website (surely R-Day?). By the time I checked the scores today, mid-shopping, Wolves were 3-0 down to Blackburn, Blackpool were beating Man U (sounds like a variation on the Sports Illustrated jinx to me), and Wigan and Birmingham were drawing their matches. If everything had stayed like that, we would likely have been relegated on goal difference. And then came the desperate goals. The Wolves managed to pull two goals back -- not enough for a draw but it at least looked a little less embarrassing. Luckily for us, Birmingham and Blackpool ended up losing too and so even though Wigan won, thanks to their late goal, we were safe, while Birmingham and Blackpool went down with West Ham. If Spurs hadn't scored a winning goal against Birmingham in extra time, though, we would have ended up on the same points as Birmingham. We would also have had the same goal difference -- hopefully, the next criterion used to determine who stays up wouldn't be alphabetical order. (Incidentally, the names of the bottom seven clubs in the Premiership this season all begin with b or w -- my initials -- coincidence? I think not).


This was all rather stressful at the time and having been fairly good on the shopping front for the past few weeks -- this weekend I had already resisted the temptation to buy Anthro's lovely Lido Light skirt based on the fact that I own enough blue skirts already (almost all of my skirts are blue) and TopShop's nautical stripe sundress (which didn't quite fit perfectly), among other things. But it was getting close to full time when I was in the TopShop changing rooms with the floral print flippy skirt and a couple of cheap vest tops, I caved and just went and bought the lot. OK, so it was only £38 for the three items and I have wanted this skirt for almost two months. In fact, I've tried it on several times before in various combinations of size eight and size ten, regular and petite, but the eights were too short and the tens too loose. Finally, I came across a size eight tall version and tried it on and despite me not being even average height, let alone tall, it fit well.

Although this wasn't exactly an impulse purchase, I do blame my football-related nerves for going ahead. I must remember not to go shopping this time next year when my consistently inconsistent team will no doubt be in the very same position.

14 November 2010

NYC: Manicures, Mad Men and Macau

State plates spotted: 32
Mad Men locations visited: 4

Post-run yesterday, we all headed for Bloomie Nails, our favourite manicure place, so Mum and I could get manicures and Dad a pedicure. Afterwards, I did a little shopping and then walked to 405 Madison Avenue—according to Time Out the address of the Sterling Cooper offices but now a Chase bank.



We went uptown for a great burger at Shake Shack—fortunately, Maman ordered a peanut butter shake so I could try some of hers; I wouldn't have managed my own—and then a browse of Green Flea, a flea and craft market.


I then received an early birthday present: a new camera, as recommended by David Pogue and hurried home to charge it in time for cocktails on the glorious rooftop bar of the Peninsula Hotel. I hadn't even learned to use most of the settings on the S95 but it already takes amazing pictures so I'm very happy.





Then, it was dinner with some family friends at Bar Americain where I just had time for pumpkin soup and a lovely filet mignon before we headed down to TriBeCa, where we happened upon B Flat, a cool, jazz-themed basement bar in Tribeca where I tried an appropriate Autumn Leaves. Afterwards we joined some friends in Macau, a cool bar just up the street; Josh Hartnett was in recently but not last night, sadly.

Thanks to subway incompetence, I didn't make it home until 2.30 and was up at 8.30 this morning to run. In the circumstances (four cocktails and a glass of wine), I don't feel too bad.

01 April 2010

Hypercorrecter Than Thou

I've been called a grammar nutter before (a pedant too, although I take that as a compliment) but the truth is I am, like many linguists, a descriptivist rather than a prescriptivist. Still, it irritates me more when people make grammatical mistakes when trying so hard to avoid "things wot they've heard iz wrong." The classic example of this is when people say "I" instead of "me" because they've heard that saying "me" is bad (saying "Alex and me went to the cinema" instead of "Alex and I..." is supposedly bad therefore one should also say "he came to the cinema with Alex and I" --technically, one shouldn't). This is hypercorrection. It doesn't just happen in English either, although is common in the speech of those who wish to sound as though they are from a higher social class.

As a child, I was precociously good at spelling. So much so that at age ten, I was pointed towards the Oxford English Dictionary and told to pick my own spellings to learn each week. No one taught me IPA, however, which meant that although I could spell Madagascar, chlorofluorocarbon and other similarly lengthy and/or difficult words, I never found out how to pronounce them. I was fifteen before I found out that Madagascar isn't pronounced ['mah-duh-guh-''saah-kuh] and that [in-dikt-munt] is usually pronounced [in-dite-munt]. Even now, from time to time, I will say a word I've seen in writing but never heard in speech before and will be me with stares and then laughter.

Most recently, though, I've been a victim of orthographical hypercorrection. On the radio, I've often heard people mentioning [mef-uh-drone] and as many people in southern England pronounce th as f, I assumed this drug was spelled methedrone. I was hypercorrecting, of course, and am clearly a massive snob for assuming that everyone else is just labialising their dental fricative (th is pronounced by pushing air past the tip of the tongue against the teeth; f involves blowing air past the teeth against the lower lip).

On the other hand, mephedrone has been in the news a lot recently. Both methadone and methedrone are also drugs and I have potentially heard them mentioned on the news in the past. I have definitely been hypercorrecting recently but this error may have been reinforced by having heard the other two words in the past.

27 March 2010

Assorted--and Sometimes Surprising--Pleasures

From my radar this week:

1. Pretending I'm in New York. Although living in London (rather than the sticks) can usually ward off my New York cravings for quite some time, once I start getting close to six months since my last visit (as I am now), I start getting antsy, especially given that my parents are going in a few weeks. I want to wander through the West Village and run in Central Park. I also want to shop. Luckily, of the three American shops in which I spend most money, two of them (Banana Republic and Anthropologie) have Regent Street branches, both of which are staffed partly by Yanks. This means I can amble up Regent Street on a Saturday afternoon and I could almost be in NYC. The prices of the clothes are, of course, way higher than in New York but today I discovered the sale room at Anthropologie where I picked up a gorgeous, colourful top on sale for £9.95, reduced from £60. Both the sales assistant and the woman behind me in the queue commented on what a great bargain it was.

2. Random London eateries. If I can't be discovering fun new places in the Big Apple, random restaus in London almost make up for it. Yesterday, there was Paolina's a cheap and low-key Thai restaurant near King's Cross, with very tasty food, friendly staff and a ski chalet-like decor. The other night, it was the Posh Banger Boys in Borough Market, which is basically a guy with a barbecue in an unheated, candle-lit garage, decorated with sparse furniture that looks like it's just been salvaged from a skip. The burgers were very tasty, though, and I speak from experience. Mori, meanwhile, is a smart new Asian takeaway on Marylebone High Street with a range of reasonably priced sushi, salads and other Asian goodies. I haven't eaten there yet but next time I need a quick bite to eat in the quartier, I will probably check it out.

3. The Blind Side. I went to see this film, like many people, to see whether Sandy B really deserved that Oscar. Also, I had a voucher for a free Cineworld ticket for which I only paid £1 so I decided to use it on a film I might not otherwise have seen. Two things surprised me: 1) there were far more men than women in the audience and 2) I liked it, despite the fact it was corny as hell. And yes, Sandra Bullock was very good, although I still think Carey Mulligan should have won. The premise is like The OC meets Friday Night Lights. Rich, seemingly perfect, BMW-driving family come across underprivileged boy from bad neighbourhood, take him in and under their watch, he flourishes (in The OC, Ryan is from Chino, is white and goes on to be a great architect, as opposed to Michael, in The Blind Side, who is black and very good at football, but otherwise, the concept is very similar). The family even has a slightly geeky, sarcastic sun who tries to help Michael out--a son who, despite being about ten years younger than The OC's Seth Cohen in the movie, reminds me a lot of him. Of course, The Blind Side is not borrowing from The OC as it is based on the true story of NFL football player Michael Oher. I genuinely enjoyed the film, anyway, although I wasn't expecting to.

4. RunKeeper. I really like my Nike +iPod sensor. It tracks the speed, distance and pace of my runs and syncs automatically with the Nike+ website, allowing me to track my training over time. Unfortunately, I've been having problems getting accurate recordings almost as long as I've had the sensor. Most of the time, it works fine but sometimes, if I pause the app while I stretch or try to change the music, it gives up and only records the time of the rest of the run and not the speed or distance. Also, the Nike system requires that I bring the sensor with me and as I regularly use two pairs of trainers, this is a hassle. Enter RunKeeper. This is an iPhone app that performs a similar function to Nike+ but using the GPS on the iPhone; this means it also automatically maps my routes on Google Maps and sends the information to the RunKeeper site without me even having to hook up my iPhone with a computer. I'm not sure which of the two is more accurate (RK's distances and paces are worse than the Nike+ ones I'm used to) but RK could potentially be a good back up and/or alternative to Nike+ -- and it's free!

5. Walking home from work. Yesterday was the first time I've walked home from my new office. It's less than 2.5 miles but a combination of really bad weather and the sun setting too early has meant walking wasn't a very appealing prospect until yesterday. It only took me 35 minutes and I was home while it was (just about) still light. Walking is also much less stressful than getting the Tube or waiting too long for buses. In the mornings, I usually get a bus to work but when you factor in the walking to and from the bus stops, waiting for a bus to arrive and getting stuck in traffic, I usually get into work 20-40 minutes later so perhaps I will walk in more often. On those days when it's not raining or snowing, I'm not running late and I'm not wearing high heels, anyway. The route isn't the most pleasant in London (unless you are a fan of the Euston Road) but at Great Portland Street, I cut up into Regent's Park and walk the rest of the way buffered from most of the traffic and enjoying the spring flowers).

18 January 2010

You Say Paree and I Say Paris

There was a piece in today's Evening Standard about the fuss over the BBC's pronunciation of the Haitian capital Port-au-Prince in "the English way" (rhyming Prince with wince) rather than the Haitian way (rhyming Prince with the way someone from Yorkshire with a cold might say dance). I was surprised to hear the city pronounced to rhyme with wince on the Today Programme today--in fact, I did wince--but it really shouldn't come as a surprise.

After all, radio presenters don't talk about the wonderful bike rental scheme in Paree or the football team Bayern München and for good reason--different languages have different sets of phonemes and so international pronunciations help non-polyglots to understand the places people are talking about.

It's not just us lazy, self-centred English that do this either. The French enjoy the cheap shopping available in Londres and might go for a weekend break in Cornouailles--these are even spelled differently. And there's the schoolboy's favourite, Sussex, which, when pronounced en français, is homophonic with a certain way of expressing oneself orally.

My favourite was always the admittedly rarely used Nouveau York, Frenchifying the "New" but not taking the Latin for York (Eboracum) and carrying out 2000-odd years worth of sound changes (producing something like Eboraque). The Italians, meanwhile, call the Germans i Tedeschi, which requires some serious historical knowledge to work out.

In fact, given that Paris, Brussels, Milan and other commonly used place names always get Anglicised pronunciations in this country, it seems that people who only use the non-Anglicised versions for more unusual place names are clearly only showing off. So, I don't think English radio and TV presenters do need to nasalise their Princes unless they are also going to pronounce --or Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch at all, for that matter.

03 November 2009

Keeping Tabs on The Tab

The Tab, the new-ish Cambridge University tabloid-style news outlet, hadn't entered my radar until I heard its "Totty" section being mocked on The News Quiz and criticised in most of the rest of the country's papers. I don't particularly have a problem with hot, female Cambridge undergrads getting some of their kit off if they want to and the fuss over this seemed a little excessive. One piece posted on the website today did catch my attention, however: Cambridge vs Bridgeford.

I initially noticed the piece because it was clear from the title that it was going to be about Trinity, ITV's Oxbridge-inspired, OTT cliché fest--a programme which can surely only appeal to Oxbridge students past and present. However, when I read the rest of Charlotte Wu's post, I realised that it bore more than a passing resemblance to a blog post I wrote about the show about a month ago. There are some similarities in the content of my post and the Tab piece, including:
  • comments about students discussing break-downs of A-level results and Christian tea parties
  • the fact that lowly fresher Charlotte (AKA token Christian)'s lowly room is right next door to the luxurious digs of the Dandelion Club president
  • the fact that the token Christian is a bit of a keeno
  • shenanigans with hot, Swedish bedders
  • references to "the peasants"
  • a criticism of the fact that the Dandelion Club wouldn't wear such ugly formal attire all the time
Of course, although a number of people have visited my blog having searched for "Trinity ITV" (or similar), I've no idea whether Ms Wu actually read my post or not. It's not implausible that these content overlaps are coincidental--after all, I am a former Cambridge student and am thus fairly likely to notice similar things about the show as a current Cambridge student would.

However, what isn't on is the fact that the format of the post is clearly borrowed. I based my post on the Daily Intel blog's brilliant Gossip Girl Reality Index posts, which hilariously resume each episode of Gossip Girl while scoring the believability of its contents. Each GG Reality Index post is divided into two sections--the realistic and the surrealistic and/or unbelievable; the realistic section is given a header that summarises a representative realistic part of the episode (e.g. "Realer Than Lord Snooty's Obvious Crush on Sebastian Valmont in Cruel Intentions" in my post) and the unrealistic section highlights a key fake bit (e.g. "Faker than the Warden Allowing DebaucheryFest (AKA the Feast of Fools) Provided that the Jesters "Volunteered" to Be Hazed All Year"). As I was clearly ripping off this format in my post, I made it clear where the idea came from and was careful to include links to the Daily Intel posts.

In a Guardian article criticising The Tab, Rowenna Davis writes, "I'm sure they know that if they spend their final year getting this tabloid off the ground, they'll walk into Rupert Murdoch's office and he'll be salivating to take them on, regardless of whether they've managed to achieve a degree while running the thing." Well, based on Ms Wu's piece, I'm sure this will be the case. After all, the tabloids are the worst culprits when it comes to failing to provide appropriate credits, attributions and sources for their content and, in online versions of stories, providing a link to these sources. By now, I'm certainly used to material I've written in a press release being "borrowed" or lazily rewritten (with the aid of a thesaurus to change some of the words) and given a new title, and used by an assortment of online news outlets. And if professional newspaper men and women are doing it, how can a bunch of students looking to boost their CVs be expected to do otherwise?

30 October 2009

What a Heavenly Way To Rise

I should have known better than to complain about shops not having things in the right sizes because now my bank balance is seriously suffering. Still, excluding the serious shopping fail in January, it's been over a year since I've last shopped Manhattan and I have been on relatively good behaviour for the past few months, so I've probably earned it.


I started off more virtuously today, though. I woke at seven, with no evidence of jet lag, and was on the subway downtown by seven-thirty. The sky looked overcast out of my window so I didn't think I needed to race for the sunrise but when I got outside, I could see some gorgeous oranges and pinks peeking through the skyscrapers along 51st Street. By the time I got to Brooklyn Bridge, the sun had mostly risen but it was still a gorgeous morning--bright and sunny but with enough of an autumn nip to keep me at a reasonable temperature while running. I squeezed my iPhone into the pocket of my leggings (in case I had any navigational catastrophes, even though my route basically consisted of: run over Brooklyn Bridge, run through the park at the end of the bridge until Hudson Street, turn right at Christopher Street, caffeinate intensively at Joe, smile), which meant I could take a few photos along the way. A macchiato and a bagel halfway back to my hotel helped the wake-up process.

After a shower, it was shopping time. I decided to don my skinny jeans and head over to Williamsburg but I didn't do my research properly as the shop I really wanted to go to (Catbird) so I could buy one of their gorgeous, delicate gold necklaces, didn't open until twelve. I got there at just after ten and though I passed a happy half hour posing as a Brooklyn hipster at Verb, I decided as that the $4 round trip spent on subway fare was a sunk cost and as time was of the essence this weekend, I would head back to Manhattan.

I was particularly anxious about visiting more J. Crews to see whether I could find the jacket and cardigan I liked in my size. My wish came true as I found both in suitable sizes, along with some dark-wash skinny jeans for short arses in the store near Union Square (subsequently, I found the jacket in an even smaller size and was able to exchange it). My bank account duly emptied, I spent the next hour or two wandering instead, which was a much cheaper occupation. The Union Square greenmarket should really have been called an orangemarket this weekend as there were huge quantities of pumpkins of all sizes, colours and even shapes, lining every stall. In fact most shops in New York seem to have at least one pumpkin in their window at the moment and everywhere you go, people are talking about their costumes for tomorrow.


I met up with the rest of my party for lunch at Fanelli's, a favourite SoHo café. It was rammed and as we had to wait about 20 minutes in the crowded room, I was starting to regret having such a large J. Crew bag that seemed to get in everyone's way. Still, it was worth it when the food came. For once, I had neither a burger nor a club sandwich and decided to go for the festive option of pumpkin ravioli with alfredo sauce, which was delicious (even if I did have top pinch a few of Papa's yummy-looking fries). I spent most of the rest of the afternoon in NoHo and the Village. I managed to find a pretty, gold, star necklace at Edge Noho, an co-op of local artists and designers, flaunting their wares.

My feet were killing by the time I made it back to the hotel but there is no rest for the wicked as I've got to go out again in a few minutes for steak at Del Frisco's, followed by a Broadway production of West Side Story. I'm not really a huge musical fan and I'm fairly sure my mother will be singing Tonight and I Want To Be in America for the rest of the weekend, but it should be fun. Isn't everything in this town?

21 July 2009

On the Rocks

Each Tuesday during July and August, a fireworks display is put on from a boat in the middle of the bay just off the Croisette. Each week, the fireworks are sponsored and/or designed by a particular country (although the relevance of this seems limited to the background music) and the citizens of Cannes can then vote online for their favourite at the end of the season. Tonight's fireworks were provided by Spain and were called, "Pyrofantasie" (the titles are all variations on a theme--the Austrian entry is called Pyrovision, for example). The beach-restaurants along the Croisette are all given special permission to open in the evenings (for some reason, they aren't usually allowed to do this) and you can pay 60 euros for a meal on the beach (or on one of the restaurants' little piers on which you can pay even more for sunbathing rights during the daytime) or you can rent a sunbed and sip a glass of champagne or a cocktail and watch the sunset and then the fireworks.

As we'd spent all day at one of the beach/restaurants, we raided the market and made a picnic to take out onto the rocks so we could watch the fireworks from there. First, Mum and I had a pre-prandial swim. All week, I've been waiting for the pontoon to be empty so that I could be photographed doing one of my leaps and when I spotted that it was empty tonight, I swam out as fast as I could although it seemed that about 10 other people had the same idea. I hadn't agreed with Dad the arms signals we would use either (it would have been fine if he were a scuba diver too) so I had no idea whether, after about 15 jumps into the sea, flinging myself up and out and trying to be visible on camera, he had actually got me, especially as he was using his inferior camera and not the digital SLR. Finally, though, he did yell "Yes" so I assumed he had caught at least part of me. That photo is on another camera, though, so I've uploaded a couple of the inferior shots from mine instead (I'm loitering with intent in the middle of the top photo and on the left, about to take off, in the second photo down).

Then, it was picnic time with huge Madagascan prawns, avocado, mozzarella, tomatoes and yummy rotisserie chicken (oh, and a Cornetto but I felt I'd earned it). And then the fireworks began--amazingly, only two minutes after schedule. They were very impressive, not least because of the way the fireworks reflected on the water and the bangs echoed across the bay. The big hotels along the Croisette even turned off all their lights and it was fun being on the rocks with so many other people. Afterwards, the yachts moored in the bay all tooted their approval and the applause was pretty thunderous.

Perhaps the fireworks themselves weren't as impressive as those St John's put on for each May Ball but the overall effect was very nice indeed. Well done, Cannes (and Spain)!

03 July 2009

How to Watch the Radio

Today's Now Show has now aired and surprised me with a few of its inclusions, although to be honest, in the haze of today, I've probably forgotten about half the stuff they left out, apart from the intentionally for-the-audience's-eyes-only bits. The experience of going to the BBC Radio Theatre and watching a show (any show) live was great fun but hopefully, next time, I will be less of a n00b and will be able to enjoy the next one even more.

1. Arrive early. The tickets say that entrance to the building starts at 6.45 and entrance to the Radio Theatre begins at 7.45 for an 8 p.m. recording start time. They also cautions that having a ticket doesn't guarantee entry because they know some people don't turn up and so tend to overbook. In my days at the Nike Town Running Club, I used to run past the Radio Theatre on Portland Place as part of the home strait back to Nike Town and there would, some nights, be a big queue outside. However, S and I decided the ticketing would be rather like on an airline where being bumped off would be very, very rare and so we decided to meet for Thai on Maddox Street at six and then head to Portland Place when we were done. We got there at about 7.15 and although there were only a few people queueing, once we'd passed through the airport-style security, our tickets got stickers with the numbers 255 and 256 on, suggesting most people were already there.

Of course, not getting there super early didn't prevent us from getting in (in fact, there were a few free seats) but it did mean that a) we didn't receive the audience-participation forms where you could get the chance to have your suggestion read out on air (people were handing them in as they went into the theatre but we somehow missed out) and b) we didn't get the best seats as we were in the balcony. However, we were in the front row of the balcony and had a perfectly unobscured view of the stage (and there were a few mics within laughing distance). During a part of the show that was unaired, someone from the audience yelled out that they had queued in the sun for 90 minutes (this was referred to later on in an (unaired) bit where a joke hadn't gone brilliantly and one of the comedians said we must be regretting having queued for 90 minutes for that).

2. Positioning. When we arrived, we had to wait in the cafe for about 50 minutes until they were ready for us. This room is shaped like a very long corridor and people kept pushing past us to get nearer to the entrance to the theatre. We probably should have pushed our way along to help with the seating later. We didn't really feel like a coffee having just eaten but at least they had the tennis on. S and I used the time to prep each other on the week's news stories to try to predict which ones might come up (this was mainly him prepping me as I don't tend to hear about non-news stories unless they're really big). We agreed that in the past week, there had only been one major news story (even I had heard of Michael Jackson's death, possibly because it was just before the weekend and I do read the Grauniad on Saturdays), a fact with which Mitch Benn also agreed because his third, unaired song commemorated the fact that when he had tried to look up which "national appreciation" weeks were happening, he didn't find anything (unfortunately, the song was a bit mediocre but you can't win 'em all).

3. Preparation. Although it probably isn't always very easy to guess which question they might ask the audience to answer in a segment that is sometimes aired, reading lots of news stories (and the "and finally..." style pieces on the BBC Magazine website) might help. This week, they asked the audience to write a modern-day, 11th commandment. We (and Hugh Dennis) agreed that the best one was, "Thou shalt not covet [originally, steal] thy neighbour's WiFi" but it was only read out after the "official" end of the show and didn't have the right delivery to get used. During the recording, Hugh Dennis was separating page and pages of what I thought was his script into two piles on the floor. I realised later he was sorting out the audiences' answers into two piles: "to be read during the official recording" and "to be read to keep the audience entertained in between retakes." About 50 of these were read out and for me, seeing whether the audience (and the comedians) laughed at my line would have been better than hearing it on the radio (although it would be a bit embarrassing if everyone thought you were an idiot; someone wrote, "Thou shalt not make spelling and grammer mistake's [sic]" but then felt stupid when asked whether they had done it on purpose).

4. Be loud and be bold. This one isn't for me but it seems that apart from having your answer to the audience question read out in the final cut, the only way to actually get yourself on air in a noticeable way is to heckle or call out. Not many people did this and one woman (protesting about National Express) got her "hear, hear!" style cry included in the final edit. Luckily, I didn't hear too much (if any) of the machine gun laughter guy in the edit. As I listened to to podcast of the show, though, it did seem as though the audience were laughing a lot louder and a lot more than they usually do. I'm sure it's my imagination--maybe I just thought it sounded a little fake because I knew that some people were trying to get their laughs on the radio and so did laugh harder, louder and longer than would be appropriate. He who laughs loudest may also laugh last in order to prevent embarrassment by laughing at the wrong moment and then being mocked by the comedians.

5. Go often. At the beginning of the recording a producer came on as a pre-warm-up warm-up act, mainly to tell us to turn off our phones (or else other audience members were entitled to kill you) and pointing out fire exits, but with some "jokes" or jokey bits added in. The end product was something that was slightly less funny than one of those Orange "Don't Let a Mobile Ruin Your Film" shorts after you've seen it approximately 97 times. The real warm-up from Dennis and Punt was a lot funnier and involved a lot of physical comedy. It took me a few moments to realise this was actually a warm-up and wouldn't be included in the final edit, which is a shame. They did also explain this to the "first timers" as they put it, although it seemed that many people had come at least once before.

Next time, I will have lost my n00b status and I'm sure the experience will be even better.

02 July 2009

Laughter Is (Sometimes) the Best Medicine

I went to see The Now Show being recorded tonight, probably lucky as I definitely had a face for radio tonight. A full post will be coming tomorrow when a) the show has been aired and I won't be spoiling anything and b) I have more time as I won't be needing to get up early the following morning to catch a train to Nowheresville.

I haven't laughed so much and so hard for a long time but now, of course, I wish that each week, I got to listen to the full, 80 minutes of recording that get edited down to the 28-minute show (not least because although some of the less successful jokes get edited out in the final cut, some of the best ones also get cut out for legal reasons, presumably, including one very funny one involving Peter Sissons and Anne Robinson). Listening to the radio show, you also (obviously) miss out on seeing the bizarre and superb "warm-up" impersonations performed by Hugh Dennis (which included a pterosaur and a ski-jumper tonight), which is a big error, although part of the fun this week will be working out which bits will make the final cut (some were more obviously not going to make it than others).

I have also discovered that it's quite hard work to laugh loudly almost non-stop for 80 minutes. Obviously, I was hoping my laugh would make it on air (assuming I'm even able to recognise it) but I've come to realise that I'm not very good at laughing loudly. I'm more of an amused-chuckle kind of person, although when something is very funny I can laugh hard and fast. The brevity is the problem because when there are 300 other people laughing, you'd have to be really loud to be heard.

Or you could be like the guy sitting next to us who had a really irritating laugh that was like a deeper, more nasal machine gun. This in itself would have been OK but he was clearly laughing with the sole purpose of getting onto the radio show because he would usually start laughing after everyone else (implying he hadn't got the joke) and then continue for a few seconds after everyone else had stopped. It was immensely irritating and definitely not the least bit medicinal for me.

On balance, though, the benefits of my own laughter did outweigh the costs of having to listen to Stupid Laugh Guy and I would definitely be keen to see (or hear) the "outtakes" of The Now Show each week, as they have started doing for Have I Got News for You.

19 April 2009

Still Unpredictable

Despite a decidedly mediocre performance since the end of November, my football team continues to confound me with its unpredictability as they have now been guaranteed promotion to the Premier League next season and will, in fact, probably come top too, unless we lose both remaining matches and Birmingham score about ten goals. My godfather, who went to watch Wolves beat QPR yesterday, said he hadn't seen them play better since last autumn, not that that's saying much.

Amusingly, the QPR boss said, after the match, according to the BBC, "I don't want to take anything away from Wolves, it's their day. I've got a lot of respect for Mick McCarthy. It would be nice to be in the same situation next season." Ah yes, it's always good for football managers to aspire to inconsistency, unpredictability, opportunities missed, fans disappointed and the inevitable chant of, "maybe next season."

Well, maybe next season, Wolves will actually make something of themselves in the top flight. However, I don't think it's too cynical or pessimistic of me to predict that they will be straight back down the following season. Unless they gave up predictability in 2009, of course...

21 February 2009

Predictably Unpredictable

It's good to know that some things never change. The football team that I (nominally, at least) support was nine points clear of the Championship in December and have now only one once in the past games (amazingly, we're still three points clear). Wolves need to blow away ghosts of 2002, sez the BBC Sport website, although it's not really just 2002 but pretty much every other season (OK, not all of them have involved being nine points clear and then almost getting relegated, but they almost always seem to lose momentum part-way through the season and end up in a decidedly mediocre position in the table).

John Bray's article is quite amusing, even if it does hit home a little hard in places (certainly for Maman who has supported Wolves for over 40 years):

Apprehension breeds frustration, and that leads to anger - and that's a familiar scenario for those of us who've followed Wolves for the last 30 years. The nationwide view of Wolves fans is probably a fickle band of moaners. But I don't buy that. We are passionate - but have become accustomed to despair. Betrayal is a strong word, maybe too strong. But even when we ended 19 years of hurt to reach the Premier League in 2003, we were let down by a club not brave enough to spend the money that would have kept us up.

He goes on to add:

There's probably something in the psychological make-up of a Wolves fan that anticipates pain and heartbreak - but in our defence it's happened so often in the past.

Actually, though, supporting Wolves isn't so different from supporting the England football, rugby or cricket teams or watching Henman's attempts to conquer Wimbledon--and the world!--although that mantel, at least, seems to have been handed over to Andy Murray now. It's not that Wolves--or England--are bad; most of the time they do pretty well. Yet, disappointing fans who had so much confidence in the ability of their team is what Wolves--and England--do best. Losing to a better team is one thing; almost getting relegated when you were at one time nine points clear of the division is quite another. Supporting Wolves thus comes naturally to anyone who has followed any major English sport long enough.

As for tomorrow's match against Cardiff, maybe it will finally be time for us to turn our game around. I'm not getting any hopes up just yet though--for a Wolves supporter, getting one's hopes up in February is always a very dangerous game...